Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Friday, January 30, 2009

Northern Bloc - Llandudno - Thursday 29 Jan 2009

On Thursday I attended Shutdown:
The personal computer promises everything faster, better, cheaper. You can even conduct your social life online. But does this shift risk damaging our local economies and communities? What happens when you turn your back on the computer and use technology to build communities in real life instead?
The workshops and seminars explored the uses and implementation of social media technologies and of open methodologies in the area of research and creative practice. The event focused on the practical.

The presenters at the seminar were:

Adrain Bowyer: Wealth without money

Look at your computer setup. Imagine if you hooked up a 3D printer. Instead of printing on bits of paper this 3D printer makes real, robust, mechanical items. To give you an idea of how robust these items are think of Lego bricks and you`re in the right area. You could make lots of useful stuff, but interestingly you could also make most of the parts to make another 3D printer. That would be a machine that could copy itself.

This talk will be about RepRap - the Replicating Rapid-prototyper. This 3D printer will make items by building them up in layers of plastic. This technology already exists, but the cheapest commercial machine would cost you EUR 30,000. And it isn`t even designed so that it can make itself. So what the RepRap team are doing is to develop and to give away the designs for a much cheaper machine with the novel capability of being able to self-copy (material costs will be about EUR 400). That way it`ll be accessible to small communities in the developing world as well as individuals in the developed world. Anyone will be able to swap designs for anything to be made on RepRap using the Internet in the same way that music is currently shared. The RepRap machine is being distributed entirely free to everyone using open-source - so, if you have one, you can make another and give it to a friend.

Paul Miller -Why Don’t You? -School of Everything

In the 80s and 90s, the kids TV show `Why Don`t You` was more revolutionary than you might think. Its full title was `Why Don`t You Just Switch Off Your Television Set And Go Out And Do Something Less Boring Instead?` and it was all about the interesting stuff you should do instead of watching telly.

Now there are a whole range of internet services that have a `Why Don`t You ethic`. They`re not interested in creating a service that sucks people in - instead they focus on getting people out doing stuff with other people. In the case of School of Everything that`s about learning new stuff but there are others such as Meetup.com, ThePoint.com, PledgeBank.org, Dopplr.com that are all about helping people organise activity and not about them uploading their brains. This presentation will look at how you design an online service that helps people do things in the real world.

Simon Whitehead - Movement Artist

Simon will talk about the development of his practice - from working as a dance artist in a theatre setting to his current movement work, which often involves basic technologies and technologists. He will discuss several projects which combine the use of basic, often renewable technologies such as solar and wind power, mobile phones, sound and film, with an element of collaboration - working with other artists , the public and animals.

Simon will discuss some of his most productive collaborations in more detail, exploring how his work often involves working closely with technologists, such as long-standing collaborator Barnaby Oliver, who now lives thousands of miles away in Melbourne as well as more commercial relationships which have resulted in projects such as Walking to Work.

Simon will discuss several projects which don`t foreground the use of technology and the factors which influence these decisions. He will be rounding off his presentation with some observations about his experience of making his work and finding and developing an audience for it in his location in rural west Wales.

Saturday, October 13, 2007

Last night at the Roundhouse - Glenn Branca's SYMPHONY No.13: Hallucination City


Glenn Branca performance, originally uploaded by louisemakesstuff.

Last night was SUPERB!

From the Roundhouse:
Frieze Music in association with Live Nation GLENN BRANCA SYMPHONY No.13: Hallucination City

Avant-garde composer and guitarist, Glenn Branca performs here as part of The Frieze Art Fair - Frieze Music presentation for 2007. There will be a performance of Glenn Branca’s epic Symphony No.13: Hallucination City for 100 electric guitars.

A piece of transformative beauty, it has been described by the Village Voice as “Branca’s most impressive work ever.” Glenn Branca, who started out as a member of NY punk outfit Theoretical Girls, began composing for electric guitar ensembles in the early 80s. His ensembles have featured members of Sonic Youth, Swans and Helmet.

Hallucination City was premiered in the World Trade Centre Plaza, New York, in 2001 to overwhelming public acclaim.

Symphony No.13 is in four movements; March, Anthem, Drive and Vengeance. Glenn Branca’s music is not conventional in any sense and in this piece the guitars use the basis of only two chords. Players need to be able to read basic staff notation and have the ability to follow a part measure for measure.

The playing technique includes plenty of double strumming and chording. Over the next few months Branca will closely supervise the recruitment of the 100 guitarists who will all be unpaid volunteers. Interested players, who must own their own guitar and small sized amp, can contact Branca at glenn@glennbranca.com, marking their email LONDON. In the run up to the performance those chosen to take part will be sent sections of the piece every few weeks to learn but the composer stipulates that these do not need to be memorized. The volunteers must be available for two day-long rehearsals and, of course, the event itself. Branca’s music has been used for film and performance by a diverse group of internationally renowned companies including; Alvin Ailey Company, Peter Greenaway, San Francisco Ballet, Netherlands Dance Theater and The Wooster Group.

Wednesday, September 12, 2007

Paul Chan at Antrepo 3


Paul Chan at Antrepo 3, originally uploaded by louisemakesstuff.

This projection by Paul Chan is in Antrepo 3 at the Istanbul Biennial. It is part of Dream House - it is a really fabulous piece, I could have watched it for hours. I have posted loads of pictures on my flickr site.

Paul Chan was born in Hong Kong in 1973 and lives and works in New York. He received an MFA from Bard College in 2002, a BFA from the Art Institute of Chicago in 1996, and is represented by Greene Naftali, New York. Recent solo exhibitions include Serpentine Museum (London), Stedelijk Museum (Amsterdam, 2007), The Fabric Workshop and Museum (Philadelphia, 2006-07), Portikus (2006), Galleria Massimo De Carlo (Milan, 2006), Institute of Contemporary Art (Boston, 2005), UCLA Hammer Museum (Los Angeles, 2005).

Saturday, September 01, 2007

“The Public Turn in Contemporary Art”



Yesterday I went to my first Biennial event held at santralistanbul:

“Art and Negotiation in Public Space”
31 August – 1 September 2007
The international project “The Public Turn in Contemporary Art” - led and realized by santralistanbul in cooperation with ArtBOX.gr from Thessaloniki, University of Art and Design Helsinki from Helsinki and Maison des Métallos from Paris - is a series of activities on the role of contemporary art in creative transformation and democratization of public space. The project, realized between 31 August – 31 October 2007, brings together artists, writers, art historians and theoreticians working on the subject. The theme will be discussed in three panels, artist talks, a documentation exhibition and a book.
speakers included:
Socrates Stratis
Hou Hanru
Jörgen Svensson
BikvanderPol
Superflex


Do you copy?, originally uploaded by superflexnet.

The artists group superflex who participated in the 9th Istanbul Biennial talked talked bout their project super channel and resulting community led project tenant spin and projects under the banner SUPER COPY.

Jörgen Svensson talked about his project Neighbourhood Secrets towards Stavangar 2008 city of culture and his excellent project Public Safety in 2000, in the small Swedish town of Skoghall where Two American Policemen, for which he invited two American policemen to the village, who patrolled the streets of Skoghall for two weeks in full uniform. The local community treated the two policemen like moviestars. Everyone wanted their autographs, and they were invited to appear on TV and radio talkshows.

Bik van der Pol talked about their current project for the biennial where they have selected walls/sites around the city on which to project the video programme Nightcomers. There is also a blog. The artists have mapped the locations for the screenings here on google earth.


Hou Hanru presented a couple of European projects he has been working on including his project for Luxembourg 2007 city of culture focusing on migration and UrbanLab 2007.

10th International Istanbul Biennial



This coming week Istanbul will be swamped with artists and curators from all over the world as the Visual Arts Biennial launches. The Biennial is organised by İstanbul Kültür Sanat Vakfı (İKSV)...

NOT ONLY POSSIBLE BUT ALSO NECESSARY, OPTIMISM IN AN AGE OF GLOBAL WAR

is curated by Hou Hanru. Hanru curated Z.O.U. - Zone of Urgency for the 50th Venice Biennale - this was a fantastic exhibition that included artists such as Young-Hae Chang, and Shu Lea Cheang.

The Istanbul biennial sounds just as promising...

Thursday, August 23, 2007

Mehmet Kavukçu


Mehmet Kavukçu, originally uploaded by louise makes stuff.

How cool is this! This is the work of the Turkish artist Mehmet Kavukçu in Eski Kilise /Zafer Meydanı, Çanakkale. The building is in fact a church in the gypsy area. This installation was part of the Troia Festival. The Arts projects were curated by Denizhan Özer and Seyhan Boztepe, under the title Borderline. I have uploaded my photos to Flickr.

Mehmet also made an installation on 2004 in the cistern in Istanbul. I found a photograph of it on the web - it looks amazing. Mehmet is based in Erzurum.